This week in book-related infographics: The History of Print.
One way to go green: the San Francisco Public Library is making library cards from corn.The New York Times mines the data from its integrated dictionary feature to find the words its readers most frequently look up: sui generis, solipsistic, louche…Bill Simmons talks basketball with The New Yorker (via)Inspired by the attention surrounding J.D. Salinger’s lawsuit to block an unauthorized sequel to The Catcher in the Rye, Patrick Brown at Vroman’s has put together an impressive, involved post cataloging and discussing literary remixes.It’s not too late to get in on TMN’s “Infinte Summer,” a summer-long group read of David Foster Wallace’s Infinite Jest.For those ebook fans who miss that “new book smell.”Speaking of enhancing ebooks, what happens to book signings in the age of the ebook? Sign the Kindle?!Sonya Chung’s thoughtful take on Dan Baum’s Twitter essay about being fired from The New Yorker, including a comment from Baum himself.Mark Sarvas says don’t fear the Kindle at HuffPoCarolyn Kellogg shares some satire for the bookish set.The Millions’ Collaborative Atlas of Book Stores and Literary Places has now been viewed over 500,000 times!From TMN, “A Terrifically Bad Idea: 10 cafes, 10 macchiatos, one morning, by bike.”High concept fun from The Washington Post: “We asked authors which book character they would like to accompany them for a day on the beach.” (thanks Arna)Wikipedia find of the week: List of child prodigies.Further Reading: Jeff Hobbes’ “Open Letter to Kanye West” generated many supportive comments from other proud readers.
“The fact that Harry Potter midnight release parties were the event to go to as a teen was completely unprecedented in geek culture. You can draw a dotted line to the mainstreaming of geek culture through Harry Potter.” Twenty years after the publication of Harry Potter and the Sorcerer’s Stone, The Huffington Post asks authors, editors, and publishers how Rowling’s juggernaut changed reading and the world of Young Adult fiction. Then see this counterpoint from our own pages last year: There Is No Such Thing as the Young Adult Novel.
“It was just one small sign in a bustling city. But it was a sign, nevertheless, that Florence has not forgotten the Brownings after all.” In the New York Times, novelist Ann Mah explored Florence looking for signs of the literary couple who called it home for many years: Robert Browning and Elizabeth Barrett Browning. From our archives: a more sober look at the famed city.
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
Polish filmmaker Piotr Dumala spent three years working on his half-hour-long expressionistic adaptation of Fyodor Dostoevsky’s Crime and Punishment, and the result is a “destructive animation” that’s at once unnerving and beautiful. However in case you’re more pressed for time, you can also get your animated Russian literature fix by checking out Natalia Berezovaya and Svetlana Petrova’s two-minute-long animation for Mikhail Bulgakov’s The Master and Margarita.
“‘Moby Dick is one of my favorite books, but let’s face it — it’s a hot mess,’ says Evison. ‘If I had software that said, ‘Look, maybe this four-page essay on scrimshaw isn’t gonna fly with your 28 to 40 male [demographic],’ what would we have lost with that? Sometimes, you know, it’s just got to be a little bit of a dictatorship.'” When e-readers and marketing tactics collide.
“It was astonishing. Utterly astonishing. Everyone of them seemed . . . entranced by him.” Sometimes older books get a second life given contemporary contexts; such is the case with Sinclair Lewis‘s 1935 It Can’t Happen Here, reports Time. The book, which was written as Hitler came to power, has sold out online. See also this New Yorker piece about a recent stage adaptation of Lewis’s semi-satirical novel.