Is “the two-person collaboration… the essential creative act”? Joshua Wolf Shenk thinks so, and he’s written a book defending his position, aptly titled The Powers of Two: Finding the Essence of Innovation in Creative Pairs. While John Lennon and Paul McCartney are his primary examples and the root of his argument, famous author duos are also referenced – C.S. Lewis and J. R. R. Tolkien, for one. Shenk even “works to transform even famously lonely figures — Rainer Maria Rilke, Emily Dickinson, Martin Luther King Jr. — into one side of a duet.” Consider us skeptical but intrigued.
The Dynamism of Duos
The Privilege of Innocence
“Many black parents tell black children to strive; to seize opportunities that will enable upward mobility. However, they also give their children a poison capable of eroding black children’s innocence. They tell them to be twice as good; that there is no room for failure or mistakes.” Nicole Dennis-Benn, author of Here Comes the Sun, writes about how black children are denied the privilege of innocence.
Read these hard and fast
A publisher in Buenos Aires is trying to give debut authors a leg up by… printing their books with disappearing ink?
Kafka’s Hidden Manuscripts
The Independent reports on the unpublished works found within Kafka’s safety deposit boxes, and why the hidden manuscripts have long been tied up in Kafkaesque red tape. (via AuthorScoop)
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Go Forth and Delight
Any time two writers like George Saunders and Ben Marcus get together for an interview, it’s worth a read. Here are a couple of Millions essays on Saunders and Marcus, respectively.
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Baby Belle
Precocious hardly begins to describe the early work of now-famous child fashion blogger Tavi Gevinson. If you’re like me–a clueless/skeptical johnny-come-lately–check out this post, in which Tavi documents and explains the Blanche DuBois outfit she’s worn to school and her take on Tennessee Williams‘ most famous heroine.
The Long Goodbye
A lot of writers have alter-egos, but few are as interesting as Benjamin Black, the crime-writing persona of Irish novelist and Year in Reading alum John Banville. The author’s new novel adds an entry to the saga of a crime-fiction icon: Raymond Chandler’s Angeleno detective, Philip Marlowe.
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“The best house bourbon was Ten High”
Following up their publication of Charles Portis’s “Motel Life, Lower Reaches” online, the Oxford American brings us a speech in verse by Jay Jennings, the editor of a recent compilation of Portis’s work (which our own Bill Morris reviewed). Jennings delivered an ode to Portis to mark the author winning the Porter Prize Lifetime Achievement Award. Sample quote: “But you read the next book because the main character was from Little Rock,/and you knew no other book where the main character was from Little Rock/and you wanted to write a book about Little Rock.”
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