J.D. Salinger‘s house is on the market and generating plenty of buzz, but before you make an offer consider “what does it mean to want to live in a dead writer’s house? When does fandom devolve into idolatry?”
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
What is creepypasta, and what does it have to do with the future of literature? According to this blog post on the Twitter Fiction Festival, it’s a type of short horror fiction which, because it’s posted exclusively on the Web, occupies a similar place to Twitter fiction in the ranks of new literary genres. If you want to learn more about Twitter fiction, you could read our own Elizabeth Minkel on the nascent art form.
The translators behind books such as Don Quixote, My Struggle, and Swann’s Way talk about their translation process. Lydia Davis explains, “When I was translating novels, I would not read the text first, and that was very important to me because it let me retain the excitement of the unknown.”
Japanese director Satoshi Kon died last Tuesday at the age of 46. His last words, a rambling text that his family uploaded to the Internet following his death, have just been translated to English: “Everyone, thank you for all the truly great memories. I loved the world I lived in.”
Betty Wants In and the Melbourne Skydive Centre have been churning out some simply amazing footage of sky divers, parachutists, and base jumpers. Check out their latest installment, Experience Freedom, and be blown away. (Previously: Experience Human Flight, Experience Zero Gravity.)
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.