“I don’t start with disorder; I start with the tradition. If you’re not trained in the tradition, then deconstruction means nothing.” On Derrida, Foucault, and the deconstructionist defense of the canon.
“If you’re doing an assignment for some Luddite professor who insists on originality – and probably uses typewriter ribbon – keep in mind that I only offer phrases from hard-to-trace sources. Just today I was slipped some primo stuff from an English teacher in Simonton, Iowa who’s been advising the high school literary magazine for decades. This woman, her voice is as smooth as creamed corn.” Confessions of a metaphor merchant.
There’s been a lot of talk recently about the possibilities for contemporary war literature, especially in light of the success of Phil Klay‘s Redeployment. Now Flavorwire considers “a crop of fiction that approaches the question of American intelligence, torture, and military intervention slantwise,” particularly Mark Doten’s The Infernal, which was included in our 2015 Book Preview.
Ahead of the release of Imperial Bedrooms, Vice has an interview with Bret Easton Ellis. “All my friends moved to Brooklyn. The only people I know in Manhattan are rich, and it just seems like, you know, the party was fun, but it’s kind of over for me. LA seemed to be the place to land.”
“Just as the written word changed the spoken word and the printed word changed the written word, so too will the digital word change the printed word, supplementing but not replacing the earlier forms of information technology.”