“Internet reading takes up my time without my setting that time aside for it, and fills me with images and thoughts that I don’t perceive going in, like radiation… In these online minutes or hours, I drift along with my mouth open, absorbing whatever’s floating by, never chewing or even swallowing, just letting it all seep pre-chewed into me”: an elegant argument against reading about books before you read the books in question at Electric Literature. (But we hope you’ll continue to read The Millions anyway.)
Last Tuesday, I wrote about an article in the Literary Review that shed light on the daughters of Wordsworth and Coleridge. Now, in the LRB, Tim Parks reviews a new biography of the children of Charles Dickens. (Related: our own Mark O’Connell reviewed Mr. Parks’s new book.)
The Oxford American has made True Grit author Charles Portis’s “Motel Life, Lower Reaches” available online for the first time. The piece first appeared in an OA issue from 2003, and it’s also available in Escape Velocity, but you should still read it because it’s Charles Portis, damn it, and you’ve only one life to live in this world. (Related: Hobart just published their “Hotel Culture” issue, which is also worth your time.)
Twenty U.S. publishers have teamed up with Netherlands-based platform Blendle to launch a beta version of the app in the U.S., which allows users to purchase individual articles instead of subscriptions to magazines and newspapers. Many are questioning what the future of journalism may hold in light of this new user model. If you’re wondering about the future of the book, check out our column on it.
Sasha Dugdale believes that Ted Hughes's greatest contribution to the world of poetry remains Modern Poetry in Translation, the magazine which got its start thanks to an off-hand suggestion by Hughes at a cocktail party in the mid-sixties. Here’s our review of Jonathan Bate’s recent take on the poet, Ted Hughes: The Unauthorized Life.
Jonah Lehrer has resigned from his staff position at the New Yorker, after Tablet Magazine revealed he had fabricated quotes--from Bob Dylan, no less!--in his bestseller Imagine: How Creativity Works, which since has been pulled from the market. Michael C. Moynihan, the journalist who discovered the deception, was interviewed by the Observer, saying he felt "horrible" watching vitriolic reactions pour in. Previously the book saw critique for its loose science in both The New Republic and The Millions.