Legend has it that Hemingway, after reading a review of his work that he didn’t like, strode into the reviewer’s office and slapped him across the face with a book. Upset over a line that questioned his bravado — the line compared his writing style to “wearing false hair on the chest” — Hemingway tore off his shirt to prove his chest hair was real. This week, The New Republic republished the article that started the fight. (For a lighter take on the author, you could read Stephanie Bernhard on cooking recipes in Hemingway’s fiction.)
“What matters is you, all alone at your desk at five in the morning.” We've come a long way from Dear Abby and Ann Landers, says Megan Marz in an essay for The Point, in which she looks at a younger generation of columnists that includes Cheryl Strayed, Heather Havrilesky, and Kristen Dombek. And speaking of advice! Have you checked out our new writing-advice counselors Swarm and Spark? No? Well then hie yourself to their column already!
As they begin preparation work on “Vacancies,” a special double-issue of their magazine, the folks at Heavy Feather Review have issued a call for writing that explores “the dimly lit corners of the unoccupied, unassuming, or idle.” For inspiration, look toward Philip Levine’s poem, “An Abandoned Factory, Detroit.”
Tony Tulathimutte offers advice on lowering word count: Merge scenes, murder characters, quit writing altogether: “merge scenes, murder characters, ‘start as close to the end as possible’ (Kurt Vonnegut), quit writing altogether.” Pair with this Millions piece on writing slowly and by hand.
“We are here to take creative risks and to do the sort of work that commercial broadcasters might be more reluctant to do. But we also have a real responsibility and a requirement to reflect a range of British communities.” Bestill our hearts, the BBC is adapting Vikram Seth's A Suitable Boy as its first period drama with a non-white cast, reports The Telegraph. Our own Lydia Kiesling described Seth's epic as "a spectacularly romantic novel, weddings all over," but noted sadly that "it portends falling in love with the man you can marry, in lieu of the one that you can’t."