“We don’t have to look at Iraq for an analogue to Missouri,” writes Elif Batuman. “We can look instead at Missouri, or elsewhere in the United States.” Indeed for many ordinary Americans, as Jabari Asim echoes in his poem inspired by the recent events in Ferguson, “It’s more than time we had that talk / about what to say and where to walk, / how to act and how to strive, / how to be upright and stay alive.”
Notes on Missouri and America.
Out of Service
Recommended viewing: Katrina Whalen's short film adaptation of Charles Portis's “I Don’t Talk Service No More." Pair with our own Bill Morris's review of Escape Velocity: A Charles Portis Miscellany.
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Man Eater
Would you like your man-steak with green peppercorn sauce? At the LRB, Jenny Diski on Catalin Avramescu's Intellectual History of Cannibalism.
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Anne Frank’s Legacy
“Nathan Englander’s characters have invented ‘the Anne Frank game’ whose major question is ‘who would hide you if there were another Holocaust.’ By making this a game, the characters demonstrate their affective distance from the event, but at the same time Englander illustrates that the Holocaust remains a touchstone for the marijuana-smoking, Orthodox Jews who bring the game to their secular Jewish friends.” On the fictional afterlife of Anne Frank.
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Goodnight Road
What would Blood Meridian look like as a children’s book? The question is vaguely unsettling, but Jerry Puryear set out to answer it anyway, drawing up detailed mockups of literary children’s books and posting them on his Tumblr. At Slate, a selection of his book covers. (This might be a good time to look back on our US-UK Book Cover Battle.)
Jon Cotner’s Island Night
How’s this sound: an eight-mile midnight stroll through Fire Island, replete with Socratic dialogue and references to Sappho, Pythagoras, Diogenes and Hippocrates? Such is exactly what you get from Island Night, the latest project of poet Jon Cotner (previously mentioned for his We’re Floating and Poem Forest projects). As the poet explains to the NY Times, his mission with the walks was to revive “the ancient and endangered practices of walking and talking.”
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