“I’m not convinced that the questions that have been raised for me by the writing I love the most could be answered by the authors themselves.” A new interview with Eula Biss, author of Notes from No Man’s Land, is up on NEA’s Art Works Blog.
Notes from Eula Biss
Appearing Elsewhere
Ever wonder what writing contests do with the money they earn from entrance fees? Poets & Writers has posted detailed 2011 budgets from three of the country’s most prestigious book prizes, collected as part of my piece in the May/June issue of the magazine on the economics of writing contests.
Jay-Z and Michiko K.: Kindred Spirits
Michiko Kakutani‘s generous and oddly moving review of Jay-Z‘s Decoded – in which she seems to find a kindred spirit – almost makes me want to take back all the mean things I’ve said about her. I still don’t trust her judgment, but the review’s worth reading just for the mental image of her in big headphones, nodding along to “Streets Is Watching.” Go ‘head, shorty.
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Harper Lee’s Unsolved Mystery
In 1970, Harper Lee came to a small town to write about a crime that occurred there, a gruesome murder that was staged to look like a car accident.
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Action!
Recommended Reading: This lengthy piece from The New York Times on the history of Yiddish theater from schtick to stardom.
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Wood on the Missing Bits of HHhH
James Wood’s New Yorker review of Laurent Binet’s HHhH, makes note of the sections of the book that were cut by editors (and name-checks The Millions). Here they are if you want to read them and learn more about the context behind the cuts.
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