“I’m not convinced that the questions that have been raised for me by the writing I love the most could be answered by the authors themselves.” A new interview with Eula Biss, author of Notes from No Man’s Land, is up on NEA’s Art Works Blog.
Booker-snubbed, but still widely anticipated, Philip Hensher's King of Badgers is out today. As are Ali Smith's There But for The, Erin Morgenstern's uber-hyped debut The Night Circus, and The Taste of Salt by Martha Southgate, who wrote here about writers' work getting better as they get older.
Over at Hyperallergic, Claire Voon tours the New York Public Library’s collection of historical erotica, ranging from graphic illustrations hidden in photo albums to mid-century gay erotica. Pair with this Millions essay on private libraries and what books reveal about their readers.
Summertime, another work of fictionalized autobiography (following Boyhood and Youth) from Nobel Laureate J.M. Coetzee arrives this week. Also, new this week is Psycho Too, an illustrated travelogue collaboration between Will Self and Ralph Steadman. Of the book, PW says "Self is far from a reliable tour guide, but his eye for seldom-trod byways and offbeat insights make him a diverting travel companion."
Researchers at Comanche Nation College and Texas Tech University are creating a digital archive to reconstruct the Comanche language before its 25 remaining speakers die out. Meanwhile, researchers from Moscow State University and the Russian Academy of Sciences have recorded audio and video footage of twenty isolated Alaskans who speak a unique form of the Russian language. (Bonus: An Australian researcher recently uncovered a whole new Aboriginal dialect.)