Last October marked the release of a new volume in The Cambridge Edition of the Letters of Ernest Hemingway. Spanning three years in the writer’s early twenties, the letters in the volume track events including his first bullfight, the birth of his son Jack and the publication of his first collection of stories and poems. In The New York Review of Books, Edward Mendelson reads through the new volume. This might also be a good time to read our own Michael Bourne on A Farewell to Arms.
Long and Deep
On bad taste
In the world of fine art, is there such a thing as bad taste anymore? Based on the recent Swedish MOMA cake controversy, I’d say, um, heck yes.
Movie Poster Marketing Philosophy
Have you ever wondered why so many movie posters employ the “tilting horizon” effect? One marketer is here to explain why. Now, if only someone could explain why no movie posters are original anymore…
Sleep Indulgence and Piñata Effigies
“BEST FEATURE: If you glance at the word it looks like it says ‘tiny axe’ which sounds very cute. It makes me picture a tiny lumberjack. WORST FEATURE: Anxiety can turn a pleasant afternoon into a sweat-drenched pair of slacks that are hard to explain.” Ted Wilson reviews anxiety (spoiler alert: it only gets one star out of five) for Electric Literature.
Barrelhouse to Start Paying
Beginning with issue 12, Barrelhouse will start paying contributors. Prepare your submissions, everybody.
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Against the “Literary”
Rob Horning doesn’t like the word “literary.” Not one bit.
David Simon Working on a Pogues Musical
The Wire creator David Simon is at work on a Pogues musical, reports Rolling Stone. Where will they possibly find a Broadway star with the right teeth to play Shane MacGowan?
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