“Writing a book is the most complete experience I’ve ever had,” said Lauren Bacall, who passed away on Tuesday. She wrote three memoirs over 30 years – By Myself, Now and By Myself and Then Some.
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: "This notion of oneself as a kind of continuing career—something to work at, work on, 'make an effort' for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s 'relationships'—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school."
"Think the kennel partner was a man? Think he was, in Braverman’s telling, threatened by her success? You are correct. There are so many stories like this, in Double Bind, of ambition built up and then put in its place: the high school classmate who sneered to Roxane Gay, when he learned that she’d been accepted to Yale when he had not, 'affirmative action.'"
William Weaver, Italo Calvino’s longtime translator, writes about the pair’s “complex relationship,” their “consuming passion for words,” and the Cosmicomics author’s travels through “his invisible cities, cities of ideas, or perhaps ideas masquerading as cities.”
It takes a certain skill to link Taipei by Tao Lin, My Struggle Part I and Part II by Karl Ove Knausgaard and an old book on Italian painting in a single essay, but Zadie Smith is (naturally) the writer for the job. In a new piece for The NY Review of Books, she asks the reader to “imagine [a drawing of a corpse] represents an absolute certainty about you, namely, that you will one day be a corpse.”
Lisa Peet at Open Letters Monthly / Likefire blog on Millions contributor Sonya Chung's novel Long for This World: "When a novel, particularly a debut novel, is referred to as 'ambitious,' there’s usually an implicit 'but' present... Chung takes on the dynamics of family—what draws it together and what pulls it apart—through the eyes of a number of players, male and female, old and young, Korean and Korean-American. Both her subject matter and her approach are ambitious, to say the least. The only 'but' in my reaction, however, is but she pulls it off—and admirably." Read the full review.