“Writing a book is the most complete experience I’ve ever had,” said Lauren Bacall, who passed away on Tuesday. She wrote three memoirs over 30 years – By Myself, Now and By Myself and Then Some.
Cory Arcangel‘s Working on My Novel is composed solely of tweets from people who (one is led to assume) are engaged in the singularly tragic enterprise of writing books that, unlike Working on My Novel, will take years to complete, yet won’t be published by Penguin or noticed by The Paris Review. Oh, the meta-irony. And now I’ve just honored it with a Curiosities post.
A pair of debuts are making waves this week. Amy Waldman’s The Submission ponders an alternate present in which a Muslim man is the anonymous winner of the search for a design to build the 9/11 memorial at Ground Zero. Ernest Kline’s Player One is a “genre-busting,” pop culture-infused take on the virtual reality future that awaits us.
How many writers actually know how a word processor functions? Chances are the answer is: not many. At Page-Turner, our own Mark O’Connell examines this odd state of affairs, which he became more cognizant of after reading Vikram Chandra’s new book, Geek Sublime.
This week sees the release of Edward St. Aubyn’s final “Patrick Melrose novel,” At Last. A new, omnibus edition of all the novels in the series is also out. Steve Erickson’s new novel These Dreams of You is out, as is The Art of Hearing Heartbeats, a debut effort set in Burma by German novelist Jan-Philipp Sendker. This week also sees the release, on Blu-ray, of the 50th anniversary edition of To Kill a Mockingbird.
“What Belongs to You is a haunting, gorgeous, and fierce debut, capturing desire in every sentence—holding the space of what we long for and what can never truly be ours.” The Rumpus reviews Garth Greenwell’s debut novel. To compare and contrast, pair with our review of the novel.
“I can read whatever I want. No one can stop me. I can help other people read what they want. And no one can stop them.” Zoe Fisher for The Rumpus about being “a horny queer teenager” who found her home in libraries. Pair with a controversial piece from our own pages this week by Douglas Koziol, a bookseller exploring what to do with “a book that you not only find objectionable but also believe actually dangerous in the lessons it portends amidst such a politically precarious time?”