If you have a blog, you’ve probably fielded suggestions from your relatives about what you should write, who you should write about and what personal issues you should address in your posts. At The Hairpin, Michelle Markowitz shares a conversation with her mother on the subject.
I’ve Got Ideas
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Tuesday New Release Day
Laura Miller of Salon recommends Tana French’s new crime-fiction novel Faithful Place: “makes Philip Marlowe’s L.A. look like a church picnic. French herself doesn’t play by the rules…” Also out recently is a new edition of James Salter’s short story collection Dusk and Other Stories, with a new introduction by former Paris Review editor Philip Gourevitch.
Maurice Sendak Dies
The New York Times is reporting that Maurice Sendak has died at 83. In part because I shared a name with its main character, Where the Wild Things Are was a beloved book of mine. Sendak’s last book Bumble-Ardy, full of chaotic drawings of mischievous pigs, is a favorite of 19-month-old son’s. May Sendak’s bountiful imagination and heart live on for many generations in his books.
Revisiting Vanessa Veselka
Revisiting Vanessa Veselka’s Zazen and what constitutes as an acceptable author bio.
The Whale Arrives
The work of Elvio Gandolfo, whose novel Cada vez más cerca (“Each Time Closer”) won Argentina’s equivalent of the Pulitzer in 2013, is rarely published in English. So it’s a special treat to find his magical story about a whale falling out of the sky, newly translated for the anthology A Thousand Forests in One Acorn, available free at Ninth Letter.
Yuks of the North
“A Canadian author, a farmer, and a First Nations teenager went fishing. The farmer mostly sat there quietly while the author and the teenager tried to find common ground, even though the gulf between them felt massive.” A Canadian literary scene joke book.
The Elmore Enigma
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
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Force Feeding
“I am uncomfortable in my role as witness.” Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what “Black thanatosensitive” user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
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