Something to do with those last remaining days of vacation: go on a national indie bookstore tour, as designed by Chin Music Press.
The fuss is currently over John D’Agata and Jim Fingal’s clashes over factual accuracy, but frankly I’m tired of hearing about it. Maybe it’s because it sounds so reminiscent of David Shields’ Reality Hunger (2010). Or, better yet, maybe it’s because it sounds so reminiscent of David Sedaris’ Naked (1997).
“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.
Recommended reading: Michael Booth writes for The Paris Review about the work of Danish author Aksel Sandemose and the “enduring mark on the national character” his satirical Jante Law has left.
“As a writer, it’s not like all experience is useful, but when something is troubling, a form can present itself as a way to think. To put what is essentially chaotic into a container where it can be what it is.” The Rumpus interviews John Freeman, the Executive Editor of LitHub, about his recent literary projects, the death of his mother, and empathy. Pair with: Contributing Editor Nick Ripatrazone‘s Year in Reading which includes Freeman’s debut poetry collection, Maps.