Jessica Love writes for The American Scholar about some recent psychological studies on the art and perspective of storytelling. Of particular interest is the way “the first person does seem to encourage us to identify with the narrator, especially when that narrator is a lot like us.” Not that identifying with narrators is the primary purpose of reading, as the New Yorker reminds us in a piece against “relatability,” but it’s something to consider the next time you pick up a novel and find a character who seems to be just like you.
Identifying in the First Person
J. D. Salinger’s Best Unpublished Stories
Writing for Airship Daily, Freddie Moore provides an overview of ten of her favorite unpublished J. D. Salinger stories. She also shares instructions on how to find – while being careful not to link directly toward – a “207-page trove of 22 out-of-print pieces available online.” This is for the best, considering the relationship between the Catcher in the Rye author, his unpublished works, and U.S. copyright.
Redefining Our Image of Book Collectors
This past Monday The Paris Review revealed the winners of the first annual Honey & Wax Book Collecting prize. This prize is different from the average literary prize because it focuses on celebrating women under 30 who have a passion for collecting books. The prize was created by the Brooklyn bookstore, Honey & Wax. The owners “O’Donnell and Romney had observed that although the young women who entered their store were passionate about their collections, they rarely referred to themselves as collectors. Their hope is to ‘encourage young women who are actively collecting books to own and share that part of their lives, and to think strategically about the future of their collections.’” Meet the women and their incredible collections here and pair it with our post on the complete archives of The Paris Review.
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Biblioracle
John Warner is the author of Funny Man and the occasional Millions article. He is also… The Biblioracle! and he wants you to be one, too.
Curiosities
Who killed the literary critic?: “In the age of blogging, great critics appear to be on life support. Salon’s book reviewers discuss snobbery, how to make criticism fun and the need for cultural gatekeepers.” The ongoing, seemingly never ending discussion of the death of literature and criticism continues, though Salon’s interest in “how to make criticism fun” is a promising sign.Online used book marketplace AbeBooks looks at the yearbook collecting subculture. The most expensive yearbook to every be sold on the site? The Ole Miss Yearbook 1921 containing “William Faulkner’s poem, ‘Nocturne,’ in facsimile of the author’s stylized printing over a two-page spread along with several Faulkner drawings.”Buzz presents the Nixon Rock on his Madonna of the Toast blog.Carolyn has been on an enviable literary-themed roadtrip. Luckily we can read along at home.
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Cost of the Memoir
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
DeLillo Reads in Brooklyn
Speaking of Point Omega, here’s Vanity Fair‘s write-up of a rare DeLillo bookstore appearance, complete with conspiracy theorists and a fainting fangirl. It was sort of like a visit to the World’s Most Photographed Barn.
The Book of Exodus
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.
Why Words Matter
“The hijacking of public language, as is happening now, is a way to shift perception—to bend and control thought—and must be resisted.” Summer Brennan pens a powerful first entry for her twice-monthly column about language and power at The Literary Hub. Read also our own Lydia Kiesling, who tells us, “I have to believe that literature can be a weapon of a sort — it explodes comfort even while it delivers comfort; it reveals hypocrisy in a way that the mere presentation of facts often cannot.”
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