Jessica Love writes for The American Scholar about some recent psychological studies on the art and perspective of storytelling. Of particular interest is the way “the first person does seem to encourage us to identify with the narrator, especially when that narrator is a lot like us.” Not that identifying with narrators is the primary purpose of reading, as the New Yorker reminds us in a piece against “relatability,” but it’s something to consider the next time you pick up a novel and find a character who seems to be just like you.
Jacket Copy visits Joan Didion at her apartment in Manhattan to discuss Blue Nights, which moves back and forth between the death of Didion’s 39-year-old daughter, Quintana, six years ago and the author’s reflections on aging. The book is a much anticipated follow-up to 2005’s The Year of Magical Thinking, in which Didion wrote about the death of her husband, John Gregory Dunne.
The gulf between Picador and every other publishing house continues to yawn in one major aspect: literary playlists. To honor the release of Dylan Jones’s Biographical Dictionary of Popular Music, Justin Hargett put together a list of his “Favorite Covered Songs!” (Previously: the “Marriage Playlist” for Jeffrey Eugenides)
“Define your character’s obsession. Take that obsession and dig up all the language that surrounds it or alludes to it. Rewrite your story using as much of that language as possible.” Molly Prentiss for Amazon Author Insights on using personal preoccupations to bring your narratives to life.