If you’re like this writer, you’ve read enough by now about the scourge of writer’s block. The literature on authors having trouble producing literature is enough to sustain a whole genre by itself. Which is why it’s refreshing to read this article, which tackles another problem: the vexing, peculiar strain of overload known as reader’s block.
First there was The Hunger Games summer camp, and now there will be a Divergent theme camp in Naperville, Illinois. Camp Divergent will feature activities based on the five factions, such as brain teasers on Erudite day and planting vegetables on Amity day. Don’t worry; no one will be ziplining off of a skyscraper for Dauntless.
There are all kinds of arguments for reading the canon (Italo Calvino‘s come to mind) but why should we spend time reading untested contemporary authors? Tim Parks tackles this question, with a little help from Virginia Woolf, for The New York Review of Book‘s blog, and his argument pairs well with Guy Patrick Cunningham‘s Millions essay on reading the classics.
“There tends to be this idea that every piece and every assignment and every gig is always something speaking from the soul. We think that about great writers, that they’re incapable of doing hackwork.” The Rumpus interviewed Michelle Dean about women writers, the research process, and her forthcoming book, Sharp: The Women Who Made an Art of Having an Opinion. Pair with: Dean’s 2016 Year in Reading entry.
After the death of Harold Ramis, it seems only fitting to read Esquire’s oral history of Ghostbusters. Dan Aykroyd initially wanted it to be an intergalactic drama, yet he and others were happy with how it turned out. “People in the paranormal field loved it. It gave focus to their work,” Aykroyd said.