“The easiest way to appear to be well-read is to socialize exclusively with uncultured cretins, which simply won’t do, so instead you should subscribe to the New York Review of Books and read it religiously, committing to memory one idea from each piece and praying to achieve a casual air when, at a dinner party, fobbing off this insight as your own.” Advice from Slate on how to appear well-read, with some bonus advice on how to actually become well-read, just for good measure.
We thoroughly enjoyed the latest episode of David Naimon's Between the Covers podcast featuring Whiting-Award winner Tyehimba Jess. The conversation centers on Jess's latest book, Olio, a tour de force hybrid-genre exploration of African-American performers from the period just before the American Civil War through World War I. (Previously: We recommended Jess's Leadbelly as perfect reading for train travel.)
Fans of the French Oulipo movement will know about A Void, the Georges Perec novel written entirely without the use of the letter “e.” What very few readers of any kind know, however, is that in 1939, thirty years before Perec’s novel was published, Ernest Vincent Wright wrote a book in English, Gadsby, that hewed to these same constraints. At The Atlantic, Nikhil Sonnad investigates how this experiment plays out in the book.