“The easiest way to appear to be well-read is to socialize exclusively with uncultured cretins, which simply won’t do, so instead you should subscribe to the New York Review of Books and read it religiously, committing to memory one idea from each piece and praying to achieve a casual air when, at a dinner party, fobbing off this insight as your own.” Advice from Slate on how to appear well-read, with some bonus advice on how to actually become well-read, just for good measure.
How to Seem (Or Be) Well-Read
Charles Bock Interviewed
Charles Bock (Beautiful Children), in a recent interview, sounding perturbed: “Where are you right now? I’m in a writer’s room in Manhattan. There’s all these other people with their fucking computers doing their stupid little bullshit. It feels pointless. You wanna feel like it matters. It’s hard to do that when you’re in a room like this. At least it’s quiet.”
●
●
“That’s some catch, that Catch-22”
Vanity Fair takes a closer look at Joseph Heller‘s tragicomic novel Catch-22. If you’re in NYC this August, you can supplement this reading with McNally Jackson’s “Ask Me About…” series.
●
●
Neal Stephenson’s New Digital Novel
The New York Times reports on the launch of Neal Stephenson’s new serialized digital novel, The Mongoliad, complete with video, music, and user-profiles. (via AuthorScoop)
●
●
Sehgal and Adichie in Conversation
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
●
●
Fifty Shades of Regret
“Shouldn’t we all feel a little embarrassed about the fuss we made over 50 Shades of Grey?” Jessa Crispin writes for the Los Angeles Review of Books about E.L. James’ trilogy and some of the longer responses, including Hard-Core Romance, which we briefly covered a few months ago.
●
●
DJ Díaz
“I’ve always thought Yunior’s voice isn’t possible without hip-hop,” Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
●
●
Lost and Found
“I lost the first good novel I ever wrote to a computer disaster. It happened at a crucial time in my life. I was working nights, living in a mouse-infested tenement in Giuliani-era Harlem and still figuring out if I could even do this thing — become a writer for real.” Mat Johnson on NPR’s All Tech Considered blog about the ultimate authorial nightmare, and how he recovered from it. Pair with our review of Johnson’s latest novel, Loving Day.
●
●
It Doesn’t End on Tuesday, Either
Yesterday was Fat Tuesday down in New Orleans, and if you missed the action down there, you can certainly get a taste of the local flavor by reading Rick Bragg’s 1997 piece in The New York Times, “New Orleans Doesn’t Wait for Friday.” (via)