Wyvern is publishing a “Haunted” theme issue just in time for Halloween this year, and you have until mid-September to submit your work. “Haunting is in your bones,” Wyvern’s editors write. “You know it when you feel it, and you know it when you write it. That is what we’re looking for.”
“Hauntedness is a feeling.”
The Master and the Big Screen
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.
In/Out
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.
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Today’s Vagenda: Manocide
“6:00 am. Arise. Wrap your cardigan-sheathed hands around a mug of hot cardamom lemon water; squint into the distance from your craftsman veranda. Breathe authentically. Pick off a passing man with your bespoke porch rifle.”
Okay ladies, time to mark your vagendas. Comedian Sarah Schaefer brilliantly trolls conservatives in the wake of a tweet gone viral. And in the spirit of more man-hating, pair with our own Edan Lepucki‘s case against one of literature’s ur-creeps, Mr. Rochester.
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We’re Going with “Greatest”
“The actress and author of a new children’s book, The Further Tale of Peter Rabbit, has contemplated throwing the writer Michel Houellebecq across a room.” Great NYT subhead or greatest NYT subhead?
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Turn On, Tune In, Drop Dead
“If you remember the sixties, then you weren’t really there.” We’ve all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.