The diary novel may be “an under-attended” genre, but Johannah King-Slutzky is trying to remedy that. In an essay for The Hairpin she traces the diary novel’s history from the Victorian era to Go Ask Alice while examining the genre’s balance of “melodrama and awkward moralizing” with the potential for subversion.
“A novel is a trek home from the desert, sometimes a journey you wish you had never started. Exhausting and humbling, just occasionally wonderful. But a short story can come from a deeper part of the cave.” Jane Gardam on why she prefers writing short stories instead of novels in The Guardian. Pair with Lisa Peet’s essay on Gardam’s organically grown characters.
B|ta’arof Magazine recently launched its inaugural issue. The publication arrives “in response to the absence of a printed space, in English, for social comment, reflection and shared experience among the Iranian community.” You can preview the first issue and read their calls for submissions on their website, and I also encourage you to read up on the magazine’s Persian namesake.
“I wasn’t exactly feeling this. Still, I did try to rationalize what I was doing: maybe being altruistic and selfish at the same time was actually a good way to live, making sure sacrifice doesn’t go too far?” A psalm for a selfish hospice volunteer from Andy Mozina over at Electric Literature.
Why do many writers choose to start literary magazines when there are thousands of magazines already out there? Ian Denning writes for Ploughshares on the urge to foster one’s writing community. Pair with this Millions essay on literary magazines and remuneration.