The diary novel may be “an under-attended” genre, but Johannah King-Slutzky is trying to remedy that. In an essay for The Hairpin she traces the diary novel’s history from the Victorian era to Go Ask Alice while examining the genre’s balance of “melodrama and awkward moralizing” with the potential for subversion.
For The New York Times, Alexandra Alter writes about girls in titles lately—Emma Cline’s The Girls, Megan Miranda’s All the Missing Girls, and Amy Schumer’s The Girl With the Lower Back Tattoo, to name a few. Pair with Michael Bourne’s Millions review of The Girls.
“When Michael reads in one of the society columns that are hilariously reprinted here, misspellings and all, that Astrid’s jewels aren’t blingy enough, he flies into a fury of inadequacy. This leads him to try to buy one of Singapore’s rarest architectural masterpieces and turn its ground floor into a museum for his car collection, which includes a car from Ferris Bueller’s Day Off; fortunately, his offer is turned down.” On Kevin Kwan’s China Rich Girlfriend.
Photographer Doug Rickard employs an interesting technique for his “A New American Picture” series: Google Street View. Check out the shots he took while he “virtually [drove] the unseen and overlooked roads of America, to find bleak places that are forgotten, economically devastated, and abandoned.”
“I believe that just as much as teens fear time, adults do as well. It would be selfish of us to think that they can understand and accept our evolution into adulthood much easier than we can. Maybe in reality, teenagers and parents are scared of the same things.” The LARB runs a 15-year-old reader’s honest review of The Fault in Our Stars.
Gossip is often seen as inherently frivolous and trashy, which is why it’s odd that a poet would use it as the subject of his or her work. On The Poetry Foundation’s blog, Austin Allen writes about George Green’s collection Lord Byron’s Foot, in which, as Allen puts it, “the dish spares no one.” (h/t Arts and Letters Daily)