Our own Elizabeth Minkel has been posting sights and quotations from a recent George R. R. Martin and Robin Hobb event in London. You can check out her coverage over on Tumblr.
George and Robin
One With Others
“She was to me and so many poets an exemplary and inimitable figure. And I mean to emphasize the tension between ‘exemplary’ and ‘inimitable’—what her example taught us was the necessity of going our own way, of being one with others.” Ben Lerner remembers C.D. Wright, who passed away earlier this week.
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2013 (Indie and Poetry) Book Preview
Justin Daugherty supplements our massive 2013 Book Preview with a short list of upcoming indie and small press titles. Elsewhere, Craig Morgan Teicher lists some of the coming year’s most exciting poetry. Anything you’d add to either list?
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Peter Matthiessen to Publish New Novel
Paris Review co-founder Peter Matthiessen will publish a new novel in the spring of next year. Matthiessen, who won the National Book Award in 2008 for his last novel, Shadow Country, said the new novel centers on “a weeklong meditation retreat at the site of a World War II concentration camp.”
Marlon James Interviewed
“There used to be a time when people read literature to confront stuff. To experience things vicariously—whether it’s a forbidden scene or a forbidden idea. I think now we’re looking to literature for an escape from that. I’m not sure why that is.” Guernica interviews Marlon James, whose most recent novel A Brief History of Seven Killings was reviewed on the Book Report.
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Sex, Drugs, and Anniversaries
“For that reason, it’s hard to imagine coming to this book for the first time, and experiencing it in the same way as that college senior back in 2003.” The Outline on the 15-year anniversary of Chuck Klosterman‘s Sex, Drugs, and Cocoa Puffs. (Read our review of the king of pop culture’s newest book.)
Shoot First
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark’s The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.