“’These issues are constantly being brought to the surface in Roman literature, if you have eyes to see them,’ Beard said. ‘And, of course, having eyes to see them—that’s what the trick is.’” Rebecca Mead writes for the New Yorker about Mary Beard, the Cambridge classicist famous for her BBC programs on Roman life and for her handling of online harassment. For more from Beard, check out her interview with the Los Angeles Review of Books about the importance of the classics, and for more about online negativity, head to Salon‘s article on “Why female writers get trolled the most.”
“If the sentences are meticulously made, I’ll read anything, whether it’s as destabilizing as a Gary Lutz short story or as melancholy as a Chris Ware comic. The only books I give up on are texts where the writer’s attention is concentrated so heavily on narrative questions that his or her use of language becomes careless.” Anthony Doerr, whose All The Light We Cannot See won the 2015 Pulitzer Prize for Fiction, discusses genre, Calvin and Hobbes, and the 2,080 books he still wants to read as part of the New York Times Book Review‘s By the Book series.
For all typography enthusiasts and lovers of browser plugins: Chrome has a new extension, FontFace Ninja, that will tell you the font of any text on any webpage.
WGN America has ordered a 13-episode drama about the Manhattan Project. The series, which is set for a summer 2014 premiere, will be written by Sam Shaw and directed by Thomas Schlamme. This marks the second series ordered by WGN America this year. The first one, Salem, will focus on the Massachusetts town’s infamous 17th century witch trials.