“’These issues are constantly being brought to the surface in Roman literature, if you have eyes to see them,’ Beard said. ‘And, of course, having eyes to see them—that’s what the trick is.’” Rebecca Mead writes for the New Yorker about Mary Beard, the Cambridge classicist famous for her BBC programs on Roman life and for her handling of online harassment. For more from Beard, check out her interview with the Los Angeles Review of Books about the importance of the classics, and for more about online negativity, head to Salon‘s article on “Why female writers get trolled the most.”
“Forty years later,” Romesh Ratnesar writes “the Stanford Prison Experiment remains among the most notable—and notorious—research projects ever carried out at the University.”
Out this week: The Small Backs of Children by Lidia Yuknavitch; The Woman Who Stole My Life by Marian Keyes; The Hand that Feeds You by A.J. Rich; Among the Ten Thousand Things by Julia Pierpont; Vanishing Games by Roger Hobbs; The Last Pilot by Benjamin Johncock; Speak by Louisa Hall; The Way Things Were by Aatish Taseer; The Invaders by Karolina Waclawiak; Pretty Is by Maggie Mitchell; You Don’t Have to Live Like This by Benjamin Markovits; French Concession by Xiao Bai; The Captive Condition by Kevin P. Keating; and the paperback edition of our own Edan Lepucki’s California. For more on these and other new titles, check out our latest book preview.
A big week for new fiction. Ian McEwan’s latest novel Solar is out. Kakutani just called it his “funniest novel yet.” Also now apparently available (despite its late April pub date) is the latest in the long line posthumously published works by Roberto Bolaño, Antwerp, a slim volume that has been described as both a prose poem and a crime novel. Deborah Eisenberg’s big new volume of collected stories is also out today, as is Rachel Cusk’s The Bradshaw Variations. Hilary Mantel is a fan of the latter. And finally, The Lotus Eaters, a debut novel from sometime Millions contributor Tatjana Soli.
If you’re struggling with your writing, turn to biographies of famous authors. This is Tom Perrotta’s cure for writer’s block. “It’s inspiring to read about a flawed human being who struggled with his or her demons and afflictions, experienced paralyzing episodes of failure or self-doubt, but somehow managed to do the work anyway, and produce something that enriched the world. That’s my version of self-help,” he said in a New York Times “By the Book” interview.