What should you do if, horror of horrors, you find yourself appearing as a character in someone else’s book? Michelle Huneven shares her experience being fictionalized in an essay for The Paris Review. Her advice? “Don’t read too much into it. Cultivate lightness.” Pair with our profile of Huneven, “Not Lost, Just Rearranged.”
A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”
If you’re going to be at AWP, check out the Flatmancrooked and Mud Luscious Press “Author vs. Puppet” reading (and, yes, puppet show). I’ll be reading/puppeteering, as will novella writers Emma Straub and Alyssa Knickerbocker, among others. The fun starts at the Flatmancrooked booth on Friday at 4 pm!
“And then Obama comes over to my desk with the speech, and he has a few edits. And he’s like, ‘I just want to go through some of these edits and make sure you’re ok with this. I did this for this reason. Are you ok with that?’ And I’m like, ‘Yeah, buddy. You’re Barack Obama.’” Jon Favreau, former chief speechwriter to President Obama, sits down with Longform.
“But as anyone with the least knowledge of literature and writing—maybe art in general—will know, concealing what is shameful to you will never lead to anything of value,” Karl Ove Knausgaard said in an interview with Jesse Barron for The Paris Review. They discuss memory, personal crisis, artistic shame, and how he would burn My Struggle if there were less copies. Make sure to check out our review.
Water coolers across the nation were abuzz this week with news of the James Cameron-backed and billionaire-led initiative to begin mining resources from the asteroid belt. It’s the stuff of science fiction, and it may seem hard to believe, but the company’s actually already begun hiring prospective space miners!