What should you do if, horror of horrors, you find yourself appearing as a character in someone else’s book? Michelle Huneven shares her experience being fictionalized in an essay for The Paris Review. Her advice? “Don’t read too much into it. Cultivate lightness.” Pair with our profile of Huneven, “Not Lost, Just Rearranged.”
Recommended Reading: This jarring, surreal “amalgamation of three different pieces” on Hannah Arendt by Bobbi Lurie over at 3:AM Magazine. Arendt, herself a political theorist, would likely have appreciated this piece from The Millions on the life and afterlife of literary theory.
“Writers teach, not writing per se, but how to engage in writing as a process and a means of perception. The actual work of writing is seldom sublime. It’s a struggle that grows more difficult if we avoid it. Writing is often excruciatingly slow and repetitive. Time, in slipping and sliding, makes itself felt and immediate. Words are the way in, but nothing is guaranteed. What writers or readers can do with language, or understand inside it, depends on what they know—on refining their sensibilities, on writing, revising, waiting, reading, writing, as though living in language were life and death.” Year in Reading alumna Jayne Anne Phillips writes for the Literary Hub about the importance of writing programs. For more on the debate, check out Hannah Gersen’s Millions essay.
Carl Wilson, author of Let’s Talk About Love: A Journey to the end of Taste (a book length study of Celine Dion‘s megablockbusting album of the same name), revisits the enduring and sort of nauseating classic from Titanic‘s soundtrack in The Atlantic.
Yesterday I told you about a ridiculously rare signed copy of T.S. Eliot’s The Waste Land, a poem famously loaded with coldness and sterility and failed human intimacy. Later this month, some new letters will be published that reveal the depth of Eliot’s mental anguish over the breakdown of his first marriage with his wife, Vivien. Eliot has long been accused (maybe fairly) of treating Vivien with intolerable cruelty and attributing to her mental state, and these letters aim to complicate that narrative.