According to The Guardian, “researchers in Australia have developed a computer program which writes its own fables, complete with moral.” No word yet on whether they’re any good.
Computer Fables
Sarah Ruhl brings Elizabeth Bishop and Robert Lowell to the stage
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)
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The Marvelous Words
Over at Catapult, Niina Pollari writes about translating Finnish literature in English. As she puts it, “If a thing you read gives you that sensation, it’s your responsibility to share the piece with someone.”
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Revisiting Olive with Elizabeth Strout
Elizabeth Strout discusses the surprising popularity of Olive Kitteridge, and why she revisited the character in her new book, Olive, Again.
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“Perfect translation … is of course impossible.”
Ever wonder how Google Translate works? Now you know. These two pieces (one and two) on Lydia Davis‘ translation of Madame Bovary are worth revisiting, too.
D) All of the Above
“I guess the book could be read also as poetry, but I just didn’t want to define this book, I didn’t want to put it under any label.” The Rumpus interviews Chilean author Alejandro Zambra about his newest book, Multiple Choice. And if you want more Zambra – and believe us, you do – we interviewed him too back in 2011.
Two Dollar Radio Gets Some Press
Over at Litreactor, Joshua Chaplinsky checks in with Two Dollar Radio, the publishing outfit responsible for Grace Krilanovich’s The Orange Eats Creeps, which was one of my Year In Reading selections last year.