In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature — the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)
“It was just one small sign in a bustling city. But it was a sign, nevertheless, that Florence has not forgotten the Brownings after all.” In the New York Times, novelist Ann Mah explored Florence looking for signs of the literary couple who called it home for many years: Robert Browning and Elizabeth Barrett Browning. From our archives: a more sober look at the famed city.
After last week’s NYT “Room for Debate” feature, ostensibly in answer to the question of why so many adults read YA fiction, Roger Sutton at the Horn Book took umbrage at the panelists’ only partial engagement with the question. In the end though, he makes his own position clear: “I don’t worry about adults reading YA novels. Read what you want.”
“Marlon James’s management of the voice and the paragraph isn’t what you’d call unpretty, and he’s good at having it both ways on a larger scale too. Reptilian black-ops masterminds out of a Robert Stone novel as well as bumbling CIA bureaucrats, baroque deaths in the bush and casual killings by the side of the road, historical and magic realism, sex and violence and a more ‘sophisticated kind of art’: the guy’s got it all.” This review of James’ A Brief History of Seven Killings from The London Review of Books is well worth the read.
Black Balloon created an “evolving e-book” iPad app for Louise Krug’s new memoir, Louise: Amended, and they’re giving it away for free! Plus, to sweeten the deal even further, emailing a request for the promo code will automatically enter you into a drawing for a $100 Powell’s gift card.