In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature — the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)
Even though William Faulkner once described Hollywood as the “plastic asshole of the world,” he spent two decades writing screenplays there. At Garden & Gun, John Meroney examines Faulkner’s film career, including writing for Howard Hawks and having an affair with his secretary. Pair with: Our essay on Cormac McCarthy’s attempt at screenwriting.
“On January 14, 2017, Ringling Bros. and Barnum & Bailey Circus—America’s oldest and best circus, America’s last true touring circus—announced that it was closing, and six days later the country mourned, with an exit parade, a grand-finale funeral: the inauguration of Donald J. Trump.” Year-in-Reading alum Joshua Cohen, whose Book of Numbers spent seven months on our top-10 list back in 2015, and whose new novel Moving Kings made our most-anticipated list for the latter half of this year, reflects on the end of an era for The Point.
The New York Times Magazine published an excerpt of the latest novel by Dave Eggers. The book, titled The Circle, follows Mae Holland, a woman who takes a job at a Google-esque company dubbed “the most influential in the world.” At Reuters, Felix Salmon critiques the book’s take on Silicon Valley.