Infinite Jest may have “really taken on a foothold as the ‘novel of ideas’ of the late 20th and early 21st centuries” but now it’s also a “novel of legos,” courtesy of Kevin Griffith and his 11 year old son, Sebastian.
“So much of the way books get classified has to do with marketing decisions. I think it’s more useful to think of literary books and sci-fi/fantasy books as existing on a continuum. To oppose them, to suggest that one category excludes the other, always feels bogus to me.” Talking with Karen Russell.
At The New Republic, Andrew Wylie talks about how he made millions off strictly “highbrow” fiction, a category which (for those who are curious) does not include the works of James Michener and the late Tom Clancy. Wylie — whose clients include Philip Roth, Martin Amis and Mary Gaitskill — suggests that a modern literary agency “needs to be able to expand infinitely, like a Borgesian library.”
New this week are Mario Vargas Llosa’s The Dream of the Celt, Soul of a Whore and Purvis: Two Plays in Verse by Denis Johnson, Living, Thinking, Looking: Essays by Siri Hustvedt, Gone Girl by Gillian Flynn, and Team Cul de Sac, a book done in tribute to the great comic done by Richard Thompson and to raise money for research into Parkinson’s, which Thompson was diagnosed with in 2009.
Ted Thompson, whose novel The Land of Steady Habits was released earlier this year, writes for Salon about his experience publishing his first book. Pair with this conversation between our own Bill Morris and Edan Lepucki, who both have novels coming out this month.