Friday would have been Ray Bradbury’s 94th birthday, which is why Dan Piepenbring, at The Paris Review Daily, looked back on one of Bradbury’s classic stories and picked out some choice quotes from his Art of Fiction interview. Piepenbring also pointed out that the story gets a mention in, among other places, The Brief Wondrous Life of Oscar Wao. You could supplement this by reading Tanjil Rashid on the author’s Middle East connection.
“Part of the allure of Bosnia for westerners, I think, has been the surprising nearness of the East. To put it more bluntly, and problematically: in Bosnia the East is tamed, less scarily dogmatic.” Elvis Bego draws a parallel with Madame Bovary at Bookslut.
What would Blood Meridian look like as a children’s book? The question is vaguely unsettling, but Jerry Puryear set out to answer it anyway, drawing up detailed mockups of literary children’s books and posting them on his Tumblr. At Slate, a selection of his book covers. (This might be a good time to look back on our US-UK Book Cover Battle.)
You’ve likely heard that artists these days are in trouble. The probability that your average creative person will make a living from their art is getting smaller by the day. But amidst all this hand-wringing, we forget one simple fact — it’s always been getting worse, and there’s always been something killing culture. At Slate, Evan Kindley writes about Scott Timberg’s new book Culture Crash, asking whether the Internet is really the dread force it’s often made out to be.
“Romatic realist” painter Bo Bartlett, born in Columbus, Georgia, is renowned for his epic tableaus depicting a “Hopper-like sense of longing and mystery combined with a Lynchian-cocktail of menace, beauty, and stranger-than-fiction reality.” He was also a protégé and life-long friend of Andrew Wyeth. In Oxford American‘s most recent SoLost installment, the crew checks out Bartlett’s surprising and endearing winter workspace.
Recommended Reading: This interview at The Paris Review with poet Morgan Parker: “I think personal narrative is really important for the individual and for a collective and for a people. I think it’s important to have agency in that narrative. There’s so much about contemporary life where one story is written upon the person by the outside world, by circumstance.”