Ian Crouch writes for The New Yorker about a new version of The Sun Also Rises, which gives readers a peak into Hemingway‘s drafts and revisions. Crouch believes that by reading these drafts carefully, one can pick out a “minor manifesto” that “conceives of a book with greater intellectual and artistic ambitions than Hemingway ever produced.” In the words of Hemingway’s character Jake Barnes, “Isn”t it pretty to think so?” Pair with our own review of the latest edition of The Sun Also Rises.
“A Minor Manifesto”
Tuesday New Release Day: Yuknavitch; Radtke; Baume; Joaquin; Statovci
Out this week: The Book of Joan by Lidia Yuknavitch; Imagine Wanting Only This by Kristen Radtke; A Line Made by Walking by Sara Baume; The Woman Who Had Two Navels and Tales of the Tropical Gothic by Nick Joaquin; and My Cat Yugoslavia by Pajtim Statovci. For more on these and other new titles, go read our most recent book preview.
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Young and Old
After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
What’s the point?
“What’s the point of reading literature?” Electric Literature shares a video that offers a compelling 4-point answer.
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Il Maestro
Everyone knows that Joyce grew up in Dublin, but few people know that he spent much of his life in Italy. At Open Letters Monthly, you can read a long piece on his years in the city of Trieste. (You can also try your hand at our quiz.)
Tell Us More About Yourself
A few weeks ago, I wrote about an event at which Don’t Kiss Me author Lindsay Hunter teamed up with songwriter Holly Miranda for an interesting reading-cum-concert. Now, at The Nervous Breakdown, the writer conducts an interview with none other than herself.
On American Sonnets
Stephanie Burt writes about Terrance Hayes, Wanda Coleman's American Sonnets, confinement, and the mechanics of lyric poetry.
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