Peter Mendelsund writes for the Paris Review about how we see, or think we see, fictional characters. “Characters are ciphers. … We are ever reviewing and reconsidering our mental portraits of characters in novels: amending them, backtracking to check on them, updating them when new information arises.”
The media world is abuzz about a former Harper’s Bazaar intern suing parent company Hearst for allegedly violating labor laws for not paying her (With reactions ranging from “She’ll never work in this town again.” to “Good for her. It’s about time!”). At least she didn’t get sucked into HuffPo’s aggregation turbine.
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
“Learning to really listen to it and learning to kind of embrace it, rather than running away from it, was a very useful thing to do,” says Hari Kunzru of the sounds of New York City’s streets. The sirens, horns, and arguments are the inspiration for his new “multimedia book,” Twice Upon a Time: Listening to New York. (Bonus: Kunzru has participated in our Year in Reading series two times in the past.)