Recommended reading: Leslie Jamison, author of The Empathy Exams (which we covered here and here), writes again, this time about 52 Blue, “the loneliest whale in the world.” The full work is available at Atavist for $3.99, but an excerpt is available at Slate.
52 Blue
The Great Goldfinch Debate
“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.
Sundog Lit’s Games Issue
Sundog Lit is putting together their first theme issue, and it’s going to be all about “Games” of all types: video games, baseball games, Game of Thrones, etc… Fittingly, their guest editor for this issue will be Level End author Brian Oliu. Submission deadline is June 1st. If you need a little inspiration, you should check out Adrienne LaFrance’s take on MoMA’s video games exhibit.
Thoughts on Puff Daddy Etc.
To mark the passing of Lou Reed, BOMB Magazine republished an interview with the musician by Tim Nye. First published in 1998, the interview sees Reed, among other things, taking stock of a Puff Daddy song.
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The Sot-Weed Movie
Steven Soderbergh is interested in bringing The Sot-Weed Factor – John Barth’s “750-plus-page satire of picaresque novels” – to the big, silver or computer screen. You should start getting excited about this if you’re from Maryland, interested in literature, or tickled by the word “beshit.”
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Good Guy Google
Google is partnering with The HALO Trust in order to use its Google Earth Pro technology to detect and remove land mines in areas like Cambodia and Angola.
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Book Drop
Doubleday pulled a Beyonce and published Colson Whitehead’s latest book, The Underground Railroad, a month early. Oprah chose Whitehead’s book for her book club, and Doubleday “secretly started shipping out 200,000 copies in anticipation of the announcement.” You can also read a review from Michiko Kakutani at the New York Times.
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