Oh, look, the Paris Review freed Zadie Smith’s “Big Week” from the clutches of their paywall. (Bonus: you can subscribe to a dual subscription to both the Paris Review and the London Review of Books all summer long.)
“What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families.” On Philip Roth and Newark, NJ.
In his look ahead to interesting books coming out in 2011, Scott Esposito includes the book I co-edited, The Late American Novel: Writers on the Future of Books, which features pieces by Jonathan Lethem, Rivka Galchen, Benjamin Kunkel, and several other great writers and is due out in March.
“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.