The Only RX Press is calling for short stories between 1,000 and 3,000 words “related to or inspired by True Detective.” (Related: Our own Ujala Sehgal recommended five crime novels in which the women are the true detectives.)
In the Times, Dwight Garner reviews the new edition of Bartlett’s Familiar Black Quotations, a compendium of quotes from notable black writers dating from ancient times to the present. Among other figures, Thurgood Marshall, Ralph Ellison, Zora Neale Hurston and Cory Booker all have quotes in the book.
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
“The first sentence, itself described as a ‘decoy for attention’ in a 1930 story on the new art, is a lure within a lure, created in a new economy increasingly predicated on commercial diversification and instant appeal, in a book market that had never been so populated.” Electric Lit takes us through the history of the novel’s first sentence. Pair with our essay on the art of the opening sentence.
YiR alum Roxane Gay and Medium have collaborated on a magazine that will feature pieces throughout the month from 24 different writers. The writers all address the question “what does it mean to live in an unruly body?” and they range from Kiese Laymon to Keah Brown to Randa Jarrar.
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)