One in ten residents of Iceland will publish something in their lifetime. (Compare that to the United States.) And all residents receive the bókatíðindi – a volume listing approximately 90% of all books being published in Iceland – free of charge. Indeed, as Mark Medley notes, when it comes to literary ambitions, the Land of Fire and Ice is “punching above its weight class.”
Why Is Iceland So Literary?
“Immaculate glass world of the spirit”
Recommended Reading: Anka Muhlstein on Stefan Zweig (whose work, you may have heard, inspired Wes Anderson’s latest film).
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Flournoy on Ellison
Year in Reading alum Angela Flournoy writes about Ralph Ellison’s Invisible Man for the National Book Foundation. “I return to Invisible Man often because it accomplishes so many things at once, but never at the sake of intelligent, moving storytelling.” Pair with our interview with Flournoy.
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The Kiddies are Alright
Celebrity watch: that guy from The Decemberists lands a children's book deal. Waiting in the wings: A Vampire Weekend macroeconomics textbook; Dina Lohan's's haiku collection; and Jeremy Irons' zombie mashup, Bride's Head Revivified.
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Matt Steinglass Contra Katie Roiphe
According to the title of Matt Steinglass' new essay (a qualified rebuttal of Katie Roiphe's recent piece "The Naked and the Conflicted"), "Today's Male Novelists Do Write Exuberant Sex Scenes, But Mostly Lesbian Ones"
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A Story of Immigrants
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How To: Write Difference
"Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?" Roxane Gay reviews Joyce Carol Oates's The Sacrifice and simultaneously explains how to write difference well. Hint: it "demands empathy, an ability to respect the humanity of those you mean to represent."
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