One in ten residents of Iceland will publish something in their lifetime. (Compare that to the United States.) And all residents receive the bókatíðindi – a volume listing approximately 90% of all books being published in Iceland – free of charge. Indeed, as Mark Medley notes, when it comes to literary ambitions, the Land of Fire and Ice is “punching above its weight class.”
"The stories that dominated the serious magazines and journals seemed to share a flat fireless quality... Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world." In case you missed it: Slate's review of Stuart Dybek's new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current "revitalization" of the American short story.
In lieu of writing a legitimately popular book, or having Barack Obama photographed while being “given” your book, it appears that you can get onto the New York Times bestsellers list for about $200,000.
The CIA might just be America’s most literary government agency, no? Not only did they (maybe) help fund the early days of The Paris Review but, according to Eric Bennett, the group also funded the nation’s most prestigious and storied creative writing program. Over on Iowa Public Radio, you can hear some details.