Yes, but what’s everyone else reading this summer? Bookstores in beach towns know better than to stock “business, personal finance, or diet” books–though poetry does pretty well–but they are looking forward to these bestsellers. The print-disinclined can take heart that there are even a fair number of literary movies coming out soon. (Related: our own recommended summer reading list, also blessedly personal finance-free.)
Don’t expect to hear from Alan Moore anytime soon. He is withdrawing from public life after accusations that his comics include racist characters and too much sexual violence toward women according to an interview with Pádraig Ó Méalóid. He also took the opportunity to disparage society’s obsession with superheroes, which probably won’t win him any more fans. “To my mind, this embracing of what were unambiguously children’s characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence.”
Here’s a fact that’s either very surprising or not surprising at all: Samuel Beckett didn’t want his letters to see the light of day. He once wrote to Barney Rosset that he didn’t care for “the ventilation of private documents.” Despite this disinclination, his third volume of letters comes out this week, and it includes, as detailed by John Banville in a review for The Irish Times, a letter in which Beckett asks that none of his plays be produced in Ireland. Pair with: our own Matt Seidel on Beckett’s “Echo’s Bones.”
“I believe that just as much as teens fear time, adults do as well. It would be selfish of us to think that they can understand and accept our evolution into adulthood much easier than we can. Maybe in reality, teenagers and parents are scared of the same things.” The LARB runs a 15-year-old reader’s honest review of The Fault in Our Stars.
“I could measure my progress with metrics like number of scabs collected, number of inches ollied,” writes Nick Courage, in his great piece about rediscovering skateboarding in his thirties. “There was an objective truth to the sport; unlike my writing, my powerslides were self-validating.”
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.