Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
Here’s a fact that’s either very surprising or not surprising at all: Samuel Beckett didn’t want his letters to see the light of day. He once wrote to Barney Rosset that he didn’t care for “the ventilation of private documents.” Despite this disinclination, his third volume of letters comes out this week, and it includes, as detailed by John Banville in a review for The Irish Times, a letter in which Beckett asks that none of his plays be produced in Ireland. Pair with: our own Matt Seidel on Beckett’s “Echo’s Bones.”
The 2014 National Book Awards were just announced earlier this week. In celebration, The Paris Review took a look back at the American Book Awards, which “serve as a reminder that ostensibly prestigious institutions—institutions whose authority and taste depend on their perceived stability—are just as susceptible to whims and trends as the rest of us, which is to say very.”
A while back, I noted that Moleskine was preparing an initial public offering on the Italian stock exchange. Well, now the time has come. On April 3, you will be allowed to buy shares of the notebook company (and perhaps keep records of them within your Moleskine). If you’re interested, you might want to read up on the company’s history – and also on how to pronounce its name.