Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
What We Can Learn from Goodnight Moon
“I learned to look outward more”
“There are dangers for an artist in any academic environment,” says former Poetry editor Christian Wiman, who now teaches at the Yale Institute of Sacred Music. “Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.”
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What to Dispense With
Say you’re the kind of person who never ends a sentence with a preposition. You’re studious about distinguishing between “its” and “it’s,” and you’re likely to judge a person who says “nauseous” when they should have said “nauseated.” But occasionally, if you’re being honest with yourself, you suspect that a lot of the grammar rules you follow are conditional or even arbitrary. Herewith, Steven Pinker offers ten rules you should break from time to time. (Related: Fiona Maazel wrote an essay for The Millions on good grammar.)
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New Old Advice for Writers
"The internet teems with writerly advice, almost all of which suggests that creativity is served best by monasticism, a quiet life filled with pencils—but that kind of advice seems to take a very short view of history, overlooking the one classic way to rouse the capricious Muses: sexually transmitted disease." According to The Hairpin, maybe it's not an MFA you need, just syphilis. After all, it seems to have worked for James Joyce, Baudelaire, Flaubert, Oscar Wilde and many, many others.
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Tuesday New Release Day
Julia Child fans may enjoy a new collection of her correspondence with her friend and "unofficial literary agent" Avis DeVoto. The letters follow Child through her life overseas. Also out now is a snazzy new Penguin Classics Deluxe Edition of The Picture of Dorian Gray with a cover illustrated by Ruben Toledo.
Me and my ghost and my ghost ghostwriting
There was an article in the New York Times on cook book ghostwriters, and it called Gwyneth Paltrow out for not writing My Father's Daughter. Then the actress cum gourmand denied having worked with a ghostwriter in a tweet. Now Sari Botton, a frequent ghostwriter, has tried to clear the whole thing up in an essay on The Rumpus on why ghostwriting is such a fickle business, and a tricky term.
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The Irish Console The Irish
Over at Vol. 1 Brooklyn, Nick Curley prescribes “five passages from great Irish writers” as a means of coping with Notre Dame’s recent loss to Alabama in the college football BCS National Championship Game.
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