Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
What was the very first ebook? It’s hard to say with any degree of precision, but a pretty good candidate is Peter James’s Host, which was copied and stored on a floppy disk back in 1993. At The Guardian, a look back at the early life of the format. You could also read David Rothman’s tribute to the ebook pioneer Michael Hart. (h/t The Paris Review)
Authors photos “defeat the purpose of imaginative literature, in general, and of much poetry, in particular, because they invite us to get to know an author by something other than her creations in words,” poet Stephen Burt argues. Pair with our own Edan Lepucki’s musings on the topic.
“Would I have carried myself with the same swagger, or faced adversity with such feminine resolve, without Albertine as my guide?…I was drawn to a striking, remote face—rendered violet on black—on a dust jacket proclaiming its author ‘a female Genet.’ It cost 99 cents, the price of a grilled cheese and coffee at the Waverly Diner, just across Sixth Avenue. I had a dollar and a subway token, but after reading the first few lines I was smitten—one hunger trumped another and I bought the book.” Patti Smith introduces Astragal by Albertine Sarrazin, recently rereleased by New Directions.
For Guernica, Tana Wojcznick explores the belief in populism in Shakespeare’s often-misread play Coriolanus. She writes, “Coriolanus criticizes the people he claims to want to represent not simply because they are a mob, but because as a single body they are too easily swayed in their opinion, too easily flattered.” Pair with this Millions essay on rewriting Shakespeare.