Talk about burying the lede. This article about Alec Baldwin’s return to television acting, and how he’ll be playing “a Rob Ford-type mayor of New York,” doesn’t make a big deal out of the show’s pilot writer. But it should. Because his name is Wells Tower.
Wells Tower on Your TV Screen
On The Making of The Blues Brothers
"'We had a budget in the movie for cocaine for night shoots,' [Dan] Aykroyd says."
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Brooklyn Was Mine
Paula Fox's ostensible review of L.J. Davis' A Meaningful Life in the current New York Review of Books is really (pace N1BR) a transporting memoir of Brooklyn in the '70s.
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Hollywood McCarthy
Cormac McCarthy's written a spec script about "a respected lawyer who thinks he can dip a toe in to the drug business without getting sucked down." I think we all know where that's headed.
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Even more Girls
Okay, so earlier this week I mentioned Emily Nussbaum's excellent profile of Lena Dunham for New York Magazine. Now Lorrie Moore's written one too, for The New Yorker blog. The short piece, as you might imagine, is a near perfect meeting of author and subject; who could be better at writing about Girls?
No, that’s really not burying the lede. Almost everyone has heard of Alec Baldwin, but hardly anyone outside of the small world of literary fiction has heard of Wells Tower. If the article lead off with a reference to Tower, most Deadline Hollywood readers would probably skip it. Baldwin is the story, not Tower.
Good morning to you, too, Pete.
In retrospect, that last sentence should have been, “To Deadline Hollywood readers, Baldwin is the story, not Tower.” It all depends on the audience. If the story was in a literary publication then, yes, that would have been burying the lede. I didn’t at all intend to denigrate Wells Tower – though I haven’t read his work, I’ve heard great things about him.