Talk about burying the lede. This article about Alec Baldwin’s return to television acting, and how he’ll be playing “a Rob Ford-type mayor of New York,” doesn’t make a big deal out of the show’s pilot writer. But it should. Because his name is Wells Tower.
Wells Tower on Your TV Screen
After the Storm, a Novel
“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
Alliteration Works, See?
Continuing her ongoing instructional column for The New York Times, Constance Hale gives some pointers on the sweet science of writing for the ear.
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20 Classic Works of Gay Literature
In honor of the U.S. District Court’s striking down of Proposition 8, Carolyn Kellogg at Jacket Copy lists 20 classic works of gay literature. (via AuthorScoop)
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Tuesday New Release Day: Rosenblatt; Brussolo; Wood; Castillo; Greenwell
Out this week: Thomas Murphy by Roger Rosenblatt; The Deep Sea Diver’s Syndrome by Serge Brussolo; Weathering by Lucy Wood; Remains by Jesús Castillo; and What Belongs to You by Garth Greenwell (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
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Where Every Novel Takes Place
Electric Literature has posted a “Map of the City Where Every Novel Takes Place,” so now you can know exactly how to get from Middlemarch to The Jungle Book via Jurassic Park.
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Baldwin in the Classroom
James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.
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The FTC and Foggy Disclosure Rules
Ed Champion interviews the FTC’s Richard Cleland in an effort to bring some clarity to the new FTC disclosure rules targeting “bloggers.” If this interview is any indication, the rules are imprecise and based on a false distinction, at best. For what it’s worth, I’ll happily disclose that we do get sent books for review from publishers, and the ways The Millions makes money are outlined on our (new and improved) Support page.
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No, that’s really not burying the lede. Almost everyone has heard of Alec Baldwin, but hardly anyone outside of the small world of literary fiction has heard of Wells Tower. If the article lead off with a reference to Tower, most Deadline Hollywood readers would probably skip it. Baldwin is the story, not Tower.
Good morning to you, too, Pete.
In retrospect, that last sentence should have been, “To Deadline Hollywood readers, Baldwin is the story, not Tower.” It all depends on the audience. If the story was in a literary publication then, yes, that would have been burying the lede. I didn’t at all intend to denigrate Wells Tower – though I haven’t read his work, I’ve heard great things about him.