A “typo” in the Declaration of Independence has been contributing to “a routine but serious misunderstanding” of the document, says researcher Danielle Allen.
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. "I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!" Donoghue says. For more on the editing process, read about our own Edan Lepucki's relationships with her copy editor and editor.
Incredible interview with the New Yorker's Jon Lee Anderson. He tells about the time he was arrested in Guinea and accused of being a spy. Happens to journalists all the time, you say? No, this was when he was thirteen. If he ever writes a memoir, publishers will be lining up. (via Jenny)I thoroughly enjoyed Ed's account of a near-drink with William T. Vollmann.Golden Rule Jones has a lovely new home. Be sure to update your bookmarks and feed readers.Interesting article about a promotional push by The Economist in Baltimore. A few years ago, I started hearing people talk about The Economist all the time. I wasn't sure if the magazine was getting more popular or if I was just traveling in different circles. This quote clears it up: "Of The Economist's worldwide circulation of just less than 1.1 million, Rossi said, North America accounts for a bit more than half, at 569,336, a figure that has increased 47.3 percent since 2001." Wow, that's a big jump. They deserve it. It's a great magazine. If I had more time, I'd read every issue all the way through.
Jessica Francis Kane’s mother worked for Playboy back in the 1960s, a time “when it was an intellectual magazine as well as a pinup, when people really did subscribe to it for the articles.” Over at The Morning News, Kane shares a fascinating interview with her mother, and they talk about what it was “like to be a woman … in such a sexy workplace at such a weird time.”
It’s a question that puzzles writers of all stripes: why is so much academic writing so terrible? It’s an issue that’s been a lifelong head-scratcher for the linguist Steven Pinker, who set out to answer the question once and for all. His verdict? It has to do with the meaning of “literary style.”