Consider these two Tumblrs as late additions to my three-part (one, two, three) taxonomy of literary blogs. Writers at Work is three years in the making, so we’re a bit late to the party, but Erasing Infinite, which creates erasure poems out of each page of Infinite Jest, looks like it’s got a long way to go before it’s finished.
Where The Wild Things Are, the beloved children's story written and illustrated by Maurice Sendak, arrives in US theaters in cinematic form this Friday, October 16th; see the trailer here. The excellent Spike Jonze (Adaptation, Being John Malkovich) directs.
In response to the Bookends question, "What is the Best Portrayal of a Marriage in Literature?," Year in Reading alum Leslie Jamison writes movingly about the poetry of Jack Gilbert and concludes that "this is marriage: not knowing one’s wife but constantly relearning her, not possessing her but rediscovering her, constantly finding a new beloved within the already familiar spouse." For a slightly different perspective on marriage in literature, look no further than our own Matt Seidel's "Survey of Literature's Non-Traditional Marriage Proposals."
Over at The Paris Review, Hannah Tennant-Moore defends the merits of disturbing literature. We are fascinated with the disturbing, because, as Tennant-Moore asserts, "wonder, disgust: both feelings are true." Here's a bonus piece on A.M. Homes' darkly comic May We Be Forgiven and on comforting the disturbed -- or is it disturbing the comforted?
Why innovate when you can just Google and copy? Mark Pagel on the perils of "being domesticated by these great big societal things, such as Facebook and the Internet."