Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
Tuesday New Release Day: Feldman; Thornton; Akhtiorskaya; La Seur; Bloom; Harkaway
Pop Quiz, Hot Shot
In celebration of Bloomsday, The Guardian tests your Joyce knowledge with “16 questions for 16 June.” Pair with novelist Henriette Lazaridis‘s remembrance of Bloomsdays past.
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Following Up on Tolkien’s Beowulf
Just because Beowulf‘s influence on Tolkien isn’t news doesn’t mean the publication of J.R.R. Tolkien‘s translation of the epic poem this week isn’t exciting. But while Tolkien’s name alone may be enough for the serious fan, Ethan Gilsdorf at the New York Times has given general readers an introduction to the history of the new translation complete with some insight into Tolkien’s love of the epic poem.
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If A Boy Could Dream
“I was a fraud in a field of language, which is to say, I was a writer.” Ocean Vuong on immigrating into English and the first poem he ever wrote.
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Who Should Readers Root For In The Super Bowl?
Need a team to root for during today’s Super Bowl? Might I suggest cheering on the team that represents a city angling to become America’s second UNESCO City of Literature? (Related: A few months back, Krakow, Poland, became the seventh city to join the UNESCO bunch.)
Theories of Theories of the Novel
In the Boston Review, Jess Row wades – slowly, interestingly, not always coherently – into the perpetually roiling waters of Theory of the Novel, taking on the canon wars, realism vs. the avant-garde, etc. Is it really “a safe bet that your average well-informed critic today has never read a single work of criticism by a writer of color?” Probably not, even granting Row’s exception. But possibly worth arguing about. If you like that sort of thing.
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The Master
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A Year of Promise
Flavorwire has compiled a list of the best literary criticism of the year, ranging from Rebecca Solnit on Lolita to Elena Ferrante on literary publicity. Also check out this year’s most notable Millions pieces, from our star-studded Year in Reading to a literary reader for Lent.
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