Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
The Guardian reports that Kinokuniya, a Japanese book chain, has bought 90 percent of the print run of Haruki Murakami’s latest essay collection, Novelist As a Vocation, to be released September 10th in Japan. The company hopes to bring more customers back into bookstores. Need more Murakami? Read our review of The Strange Library.
For The Brooklyn Rail, John Ashbery answers some questions about writing in French, crushes on boys, and the presence of “it.” As he puts it, “I’m sort of notorious for my use of the pronoun ‘it’ without explaining what it means, which somehow never seemed a problem to me.”
As titles go, it’s hard to get more straightforward than England and Other Stories, the new collection by Graham Swift. In the Times, Michiko Kakutani provides her verdict, lauding Swift for his ability to paint “vistas as panoramic as those in the stories of Alice Munro.”
On the infinite recreation and reimagining of Finnegans Wake, a book that was “crying out for the invention of the web, which would enable the holding of multiple domains of knowledge in the mind at one time that a proper reading requires,” from The Guardian.
“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.