The most depressing favorable review of a TV show you’ll read this year, LA Review of Books shares why “Catfish: The TV Show” is so poignant and so very sad.
“Thousand-watt sadness”
Is It Now.
With texting and instant messaging perpetually on the rise, the world’s punctuation is starting to evolve. At The New Republic, Ben Crair identifies an odd new consequence of this change: the period is now a sign of anger.
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2018 Tournament of Books Winner Announced
After 16 fierce book brackets, The Morning News’ Tournament of Books championship round pitted Samanta Schweblin‘s Fever Dream against George Saunders‘ Lincoln in the Bardo. Did your pick win? Click here to find out.
Romeo and Juliet Redux
Considering the sheer volume of references in the cultural air, you probably believe you have a pretty good grasp of Shakespeare’s Romeo and Juliet. To this I say, hold up there, Straw Man Reader — Ye Olde Romance That Could has more to it than you think.
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This Is Just To Say
“’This Is Just To Say’ is magical because of this personal, endless quality to it,” writes Jezebel’s Kate Dries in her exploration of the poem’s prevalence among Twitter comedians. Meanwhile Andrew Epstein remarks in a supplementary blog post, “I guess this is just to say that the Jezebel piece reminded me that Kenneth Koch was remixing and spoofing [William Carlos] Williams almost 50 years before anyone ever dreamt of Twitter.”
“Women Essayists”
“Is This a Golden Age for Women Essayists?” Cheryl Strayed and Benjamin Moser debate in this week’s The New York Times‘s Bookends column. Pair their piece with Anne Boyd Rioux‘s Millions article examining gender equity and lack thereof in nonfiction writing.