Recently, we featured five writers’ reminisces about the novels they ultimately shelved. Here a sixth, Elmo Keep, explains what led her to throw away her first novel, quite outside considerations of craft:”I could not resolve the conflict of a story that was not mine.”
The Unwritten Novel
Seeking an End to eBook DRM
Joe Wikert explains why the book industry needs to learn from the music industry, drop DRM, and adopt a unified ebook format.
Covering Anna Karenina
We care quite a bit about book covers here at The Millions, hence our recent rounds of cover-judging. To honor the hundredth anniversary of Tolstoy’s death, Flavorwire has compiled a selection of Anna Karenina‘s many covers, and opportunities for judgement abound.
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Fractal Surfaces
Recommended Reading: On Marianne Moore’s infectious devotion to all things small, and how that same devotion helped make her Observations one of the great verbal works of art of the 20th century.
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Homing In
“The main problem with Homeland is not even the writers taking Adderall or whatever they did in the second season that eliminated suspense and brought instead an unhinged intensity of movement that barely allowed space and time enough for the cast members to occupy their roles. The main problem with the show is a kind of elephant in the room.” Lorrie Moore explains her gripe about the celebrated series.
The Bolshoi is Back
If consecutive profiles in The New York Times and The New York Review of Books are any indication, the reopening of Moscow’s Bolshoi Theatre is a very big deal. To celebrate from the comfort of your chair, however, you can listen to the overture from Pyotr Ilyich Tchaikovsky‘s opera The Voyevoda, which opened in the Bolshoi in 1869.
The Paper Trail
What writers are actually earning money? Over at Electric Literature, Lincoln Michel takes a look at the new Author Earnings report, which scours Amazon bestseller lists and extrapolates the data to make claims about the state of publishing and self-publishing. Here’s an older Millions piece by Edan Lepucki on self-publishing as supplemental and influential to the traditional route.
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