The Skinny is acclaimed author Susan Orlean’s strangest work, hands down: a half-serious diet book that advises women, among other things, to cover tempting food with bleach. Not one to follow her own advice, Orlean’s diary of a week of eating for Grub Street features yogurt breakfasts, crackers eaten over sinks, and other basically realistic, bleach-free culinary adventures.
“The hijacking of public language, as is happening now, is a way to shift perception—to bend and control thought—and must be resisted.” Summer Brennan pens a powerful first entry for her twice-monthly column about language and power at The Literary Hub. Read also our own Lydia Kiesling, who tells us, “I have to believe that literature can be a weapon of a sort — it explodes comfort even while it delivers comfort; it reveals hypocrisy in a way that the mere presentation of facts often cannot.”
Few people have a stranger life story than Jillian Lauren. A former party girl of a royal harem in Brunei, she overcame a heroin addiction to become, among other things, a writer with two memoirs to her name. At The Nervous Breakdown, she talks about her latest book, her religious faith and her adopted Ethiopian son.
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it’s worth revisiting Paul Morton’s interview with Krasznahorkai and Adam Z. Levy’s review of his latest novel, Sátántangó.
“I do remember thinking ‘You can’t get involved in the particle physics of fantasy.’ You can take it down to a certain level but if you get too involved in the particle physics then it’s not [useful] to continue. So I guess we have a branch of science that even its practitioners do not understand, that they may as well call magic.” Talking with David Mitchell.