“Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill.” The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked–and tied, moreover, to mental illness–based in part on a sample of students at Iowa Writer’s Workshop. Pair with another essay on creativity and the “touch of madness” from our own archives.
The Kite and the String
Writing Without Reading
Buzz Poole expands Macy Halford‘s riff on the consequences of writing without reading. In the process, he refers back to last month’s popular piece here at The Millions by Steve Himmer.
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And They Lived Just Fine From There On Out
“Once upon a time a woman never got married, but had many fulfilling relationships, a job that kept her comfortable, an apartment that she got to decorate just for her, and hobbies that stimulated her mind.” Six fairy tales for the modern woman.
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“This music had some kind of hard edge to it”
Spin has ten selected excerpts from David Foster Wallace and Mark Costello’s re-released exploration of hip-hop, Signifying Rappers. (As always, this slideshow warrants the use of ClusterFake’s handy “De-Slide-Ifier.”)
Islands: Remote and Suspicious
If you dug Judith Schalansky‘s Atlas of Remote Islands (a Millions Hall-of-Famer), you should check out cartographer Victoria Johnson‘s list of “suspicious-sounding islands.”
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You Know AP and Chicago Style. Now learn CIA style.
Among the recommendations and rules listed in the CIA’s official style guide: favor the active voice; keep sentences and paragraphs short; boats should not be referred to with gendered pronouns; and the “w” in “Vietnam war” should be lower case because war wasn’t officially declared.
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dear Danez Smith
“But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief.” The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don’t Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.