“Maybe this is a writer thing, having pages and pages of stuff written that has not yet cohered into a completed arc, which, when you finish it, would be a laurel on which you could rest.” A writer considers Chekhov’s dictum.
The gun goes off in the end
Kandy Kakes and Pathologies
Is anyone else hungry, now? Caution: this review of Alexandra Kleeman’s You Too Can Have A Body Like Mine from The New Inquiry is a real appetite inducer.
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‘Mockingbird’ Removed from Reading List
A Mississippi school district has decided to pull Harper Lee‘s To Kill a Mockingbird from its junior-high reading list because it “makes people uncomfortable.” The novel, which frequently tops the American Library Association’s “Frequently Challenged Book” list, tackles racism. See also: an essay on the symbolism of mockingbirds.
Oxford Marginalia Group
Recommended reading: Lauren Collins writes for The New Yorker about the Oxford University Marginalia group and the fate of bookish scribblings.
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The Art of Not
Seeing as yesterday was Donald Barthelme’s birthday, it’s as good a time as any to remember the short fiction icon. At Brain Pickings, Maria Popova reads Barthelme’s essay “Not-Knowing,” which you can find in the author’s collection of essays and interviews. Sample quote: “Art is not difficult because it wishes to be difficult, but because it wishes to be art.”
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Hilary Mantel’s Hospital Diary
“In the days after the procedure I was sometimes so exhausted by movement that I would wait patiently for someone to come in and give me a paper cup of pills that was almost, not quite, out of my reach. But somehow, I would always contrive to get my pen in my hand, however far it had rolled… When Virginia Woolf’s doctors forbade her to write, she obeyed them. Which makes me ask, what kind of wuss was Woolf?” Hilary Mantel writes a diary on hospitalization for the London Review of Books.
His first step was to contact a real estate agent
In this week’s London Review of Books Elif Batuman has a great piece about Orhan Pamuk’s Museum of Innocence, both the book and the place. It would pair well with our own Lydia Kiesling’s award-winning essay on the book from 2010.
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