This September, OR Books will publish Tales of Two Cities, an anthology of short fiction focused on economic inequality in New York City. Among its contributors are some familiar names: Junot Díaz, Lydia Davis, Dave Eggers, Colum McCann, Téa Obreht, Zadie Smith, and Teju Cole. The volume will also be illustrated by Molly Crabapple, whose Occupy Wall Street portraits earned critical acclaim in 2012.
Out this week: Perfect Little World by Kevin Wilson; Dark at the Crossing by Eliot Ackerman; Days Without End by Sebastian Barry; Mexico by Josh Barkan; The Signal Flame by Andrew Krivak; and Number 11 by Jonathan Coe. For more on these and other new titles, go read our most recent book preview.
Point: “Repeated surveys show that children spend less time reading than did previous generations. They instead devote many hours of their waking lives to electronic screens of one kind or another.” Counterpoint: “Generation Y, those born between 1979 and 1989, spent the most money on books in 2011, taking over long-held book-buying leadership from baby boomers…with 43 percent of GenY’s purchases going to online channels, they are adding momentum to the industry shift to digital.” Conclusion?
Need some more Jeanette Winterson in your life? The New Statesman is here with a short story. Titled “Gnomon,” it centers on a medieval blacksmith, Stephen, who’s asked to create his town’s first mechanical clock. Sample quote: “Time is irregular. One hour is not the same length as another.”
Out this week: The Animals by Christian Kiefer; The Precious One by Marisa de los Santos; A Reunion of Ghosts by Judith Claire Mitchell; The Lost Boys Symphony by Mark Andrew Ferguson; The Wisdom of Perversity by Rafael Yglesias; The Shadow of the Crescent Moon by Fatima Bhutto; The Wednesday Group by Sylvia True; Night at the Fiestas by Kirstin Valdez Quade; and Notes from a Dead House, a new Dostoevsky translation by Richard Pevear and Larissa Volokhonsky (whom we’ve interviewed). For more on these and other new titles, check out our Great 2015 Book Preview.
What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could…at this point, it’s perversity that keeps me writing.”