“If only the interest he provokes were limited to his immediate surroundings, but, alas, it is not!… Still farther away, great mountains of data mining sum up, in zeroes and ones, the ultimate truth of his being.” KA Semënova updates Nabokov‘s short story “Signs and Sumbols” (and works by other famous Russian authors) for McSweeney’s, “teh internets” and the digital world.
You’ll have to read this Curiosity to believe it! The surprise bestselling Time-Life series was wildly popular in the late 80s–but why? The answer is a bit less mysterious than one might have hoped. As a consolation, here’s a related essay from The Millions on conspiracy literature.
PEN World Voices, the great annual festival of International Literature, unveils this year’s lineup for the week of April 26, in New York and elsewhere. Highlights include Norman Rush, Patti Smith, László Krasznahorkai, Rodrigo Frésan, and Sherman Alexie‘s “Freedom to Write” lecture.
This week saw the release of The Jaguar’s Children, a novel set on the Mexican border that draws on author John Vaillant’s experience in his wife’s home state of Arizona. At The Walrus, Sasha Chapman provides more background on Vaillant in her review of the book, which notes the importance of jaguars in Mexican symbology.
Throughout the 80s and 90s journalists turned hip hop into a literary movement. Pitchfork dives into that time and explores their legacy and impact on journalism and other literary forms. “Eager to extend the outer boundaries of their creativity, many of these writers would go on to ink novels, memoirs, short stories, scripts, and poetry, much of which stayed true to the language and attitude of hip-hop, as though their words were drafted to the sound of a boom-bap beat. It all added up to a low-key literary movement that writer and activist Kevin Powell has dubbed, ‘The Word Movement.'” Includes a great reading list at the end.
This Splitsider interview with Clarissa Explains It All creator Mitchell Kriegman is fantastic. Among the many revelations that come out of the interview is this gem: “The most amazing person that you would never guess worked on the show was [The Hunger Games author] Suzanne Collins. She was the quietest, nicest person. Like having JK Rowling working on your show!”