A waxwork being billed as “the most accurate likeness of author Jane Austen” ever created has been unveiled at her museum in Bath, England.
“I love you, in its formal semantic meaning, is at once fetishized and sacrosanct; our familiarity with it as a speech-act is equally uneasy. Type ‘using I love you’ into Google and the first autocomplete result is ‘too much’; the second is ‘as a weapon.’” Google’s recently unveiled Smart Reply feature is saying “I love you” too much. Or is it just the right amount?
Your eyes do not deceive you, Rumpus readers — Margaret Atwood sat down for this week’s Sunday interview. She talks with Gina Frangello about her novel-in-excerpts, Positron, along with the art of responding to readers on Twitter. (You can also check out her piece for Year in Reading.)
There is good news for those of us whose dreams of artistic superstardom don’t seem to be panning out — a job listing from McSweeney’s seeking failed artists for an associate position. “We would hate for you to be pretentious,” the listing states, “but if you don’t regularly call other people pretentious — this might not be the job for you.”
Among the books hitting shelves this week are Pulitzer winner and New Yorker staffer Louis Menand’s The Marketplace of Ideas: Reform and Resistance in the American University and memoirist and poet Nick Flynn’s The Ticking is the Bomb. Also new, Melville House is putting out a novella, Union Jack, by Nobel laureate Imre Kertész, and NYRB Classics has published Fortunes of War: The Balkan Trilogy a novel by Olivia Manning based on her time in Eastern Europe during World War II. Rachel Cusk provides an introduction to the edition.