Rafael Alcides Perez, one of Cuba’s most renowned poets and public intellectuals, has resigned from the Association of Cuban Writers and Artists because of “government restrictions he is being subjected to,” reports the Havana Times. You can read some of his work (in Spanish) over here, here, and here.
You may have heard (via this site or elsewhere) that Harold Bloom has a new book out. In the Times Sunday Book Review, Cynthia Ozick gives her take, identifying the critic’s use of the phrase “without precedent” as key to understanding his theory. You could also read Matt Hanson on Bloom’s classic The Anatomy of Influence.
“I’m drawn to books that deal in fragments and digressions, authors that patch together something larger from these pieces while also letting them stand on their own.” Sam Stephenson writes about “reimagining what a biography can look like” and reading Tennessee Williams: Notebooks, edited by Margaret Bradham Thornton, in a piece for The Paris Review. He also mentions Tennessee Williams: Mad Pilgrimage of the Flesh, which Tyler Gillespie recently reviewed for The Millions.
After the death of Harold Ramis, it seems only fitting to read Esquire’s oral history of Ghostbusters. Dan Aykroyd initially wanted it to be an intergalactic drama, yet he and others were happy with how it turned out. “People in the paranormal field loved it. It gave focus to their work,” Aykroyd said.
It’s not every day that you come across a defense of literary elitism, but The Guardian’s Nicholas Lezard is tired of explaining that not everyone is a critic. “What I want when I read a book review is to find out what someone cleverer than me and better read than me thinks about whatever’s being reviewed,” he writes.
Word is there have been sightings of the book I co-edited The Late American Novel: Writers on the Future of Books in the wild, though it’s officially due in March. You can keep up on all the news about the book, including events and links to excerpts on the book’s new Facebook page.