Recently, both Batgirl and the Norse god Thor (as conceived by Marvel) have been updated to suit the times. While DC Comics simply gave Batgirl sensible, combat-appropriate clothing, inspiring happy fan art; “female Thor” has met a mix of excitement and bewilderment. Fittingly, a new piece out at Aeon explores our conflicted desire to see male protagonists in fiction — the Harry Potters and Bilbo Baggins’ of the world — reimagined as women. (Also, because no roundup of imaginary characters is complete without fake social media updates, here’s Thor lamenting the loss of his hammer on Facebook.)
Mr. Sarvas aka TEV takes another turn in the limelight, this time in the Jewish Journal.Of course this story comes from a local TV news site: Pornographic comic books sold on Wal-Mart, Target web sites. Film at 11!Five things about children’s book awards from a Michigan point of view.”Digital textbooks can save college students hundreds of dollars every semester, but the market is off to an unimpressive start.”A charming remembrance of Ryszard Kapuscinski by writer Andrew Nagorski.
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.
Three days after Sheryl Gay Stolberg of the Times wrote about Katharine Weymouth taking over the Washington Post, Jeff Farhi reports that Amazon’s Jeff Bezos has agreed to purchase the newspaper. Will Bezos follow up his purchase of English™ with a brand-new WaPo style guide?
Has Joan Didion become “the Ultimate Literary Celebrity“? In an article for the New Republic Laura Marsh says “yes,” and then explains how that happened. Marsh’s efforts pair well with Franklin Strong‘s recent Millions essay on “The Manliness of Joan Didion,” Joan Didion being a literary figure who easily adapts to any description.