“Dr. Kristin M. Barton is seeking proposals for an edited volume … which will explore Arrested Development from a scholarly perspective,” reads a call for submissions on H-Net. I can see the titles of these essays now. Can’t you? “Desperation Economics: There’s Always Money in the Banana Stand” or “I Don’t Know What I Was Expecting: An Exploration of Dead Doves and Tragicomedy.”
Out this week: Dinner at the Center of the Earth by Nathan Englander; Sourdough by Robin Sloan; Border by Kapka Kassabova; A Legacy of Spies by John le Carré; and Sing, Unburied, Sing by Jesmyn Ward. For more on these and other new titles, go read our most recent book preview.
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung's Millions essay on literary endings.
As you probably read last week, Elon Musk (founder and CEO of Tesla Motors and SpaceX) is sure that we're living in a computer-generated simulation. Over at The New Yorker, Joshua Rothman takes a hard look and tries to determine the actual odds of humans inhabiting a simulated world.