"The average American three-year-old can recognize 100 brands," says prominent advertising and marketing guru Martin Lindstrom. Are we being Brandwashed? For The New York Times, Steven Heller tracks the history of corporate symbols and branding.
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
On Thursday, the fiction writer Mo Yan won the Nobel Prize for Literature, which marks the first time a Chinese writer has won the prestigious award. Lauded for his command of “hallucinatory realism,” Yan (whose pen name translates to “not talking” in Mandarin) has drawn comparisons to Faulkner for the complexity of his fictional settings. Back in 2005, John Updike published his thoughts on the writer.
“What does it look like to be the child of war? A product of war? What does it look like to be a queer child from a very traditional Confucian family? How does one feel to pay homage to a family but to also, in a way, betray those familial values?” Kaveh Akbar interviews Ocean Vuong about linguistic identity, syntax, and the American gaze for Divedapper.