There’s new fiction from China Miéville up at Tor. Miéville’s been a Millions darling for quite some time now, as these two pieces from Bill Morris can attest.
New Miéville Fiction
The Transcriptionist’s Tale
“I usually let the thunderous conclusions of love scenes pass without comment, with the exception of one tussle so histrionic that to deny its participants a [JOINT CLIMAXES] seemed downright petty.” Our own Matt Seidel discusses his work as a freelancer for a captioning and transcription company at The Morning News.
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Ted Hughes’ Lost Poem
On Ruined Pianos and Literary Fêtes
The Paris Review will soon move into a new office space, and while preparing for the relocation, some staffers discovered “a batch of small, white booklets” entitled “The Paris Review: Twenty Year Index, Issues 1-56.” The lists seemed to indicate everything that had been published in the magazine during its first 23 years of existence, and they also featured an introduction from founder George Plimpton – an introduction, by the way, that really depicts the Review of old better than any photograph ever could.
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The Revolution Will Not Be E-Read
According to some new research conducted by ebook retailer Kobo, the digital reading revolution (if it still exists) is being powered by prolific readers who are primarily female and older than forty-five. The study asserts that women make up almost seventy-five percent of “active” e-readers, defined as those who spend more than thirty minutes per day reading. What does all of this mean? Who knows, but keep reading.
James Frey’s Fiction Factory
From New York Magazine, a harrowing piece on “Full Fathom Five,” the young adult fiction factory spearheaded by James Frey, and the controversial contracts young writers are asked to sign.
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Sic
We’ve published essays before on the importance of good grammar, but it’s rare that something comes along that illustrates its value so clearly. A couple weeks ago, the Times published a blurb about This is the Story of a Happy Marriage, a recent essay collection by Ann Patchett, that led to the author sending in what may be the best correction of all time. For more on Patchett’s work, you could read Kevin Charles Redmon on her book State of Wonder.
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