You might think that the co-author of Fiesta: How to Survive the Bulls of Pamplona would be able to partake in the Spanish city’s annual event without suffering any injuries. Unfortunately for Bill Hillmann, that’s not the case.
“It is not normal for the President of the United States to refuse to offer even passing respect to the idea that telling the truth matters. It is not normal for the President to pretend that any news coverage he dislikes is ‘fake news’ that has been fabricated by the reporters who made up the story as well as their sources.”Because this is where we are, PEN America has issued Trump the Truth, a report on free expression during the President’s first 100 days. And in case you missed it, you must read our own Adam Boretz‘s review of Mark Lamont Hill‘s Nobody.
“Whatever the facts of her life – whether she turned out to be an ancient man living in the Icelandic interior or a woman waiting tables at a Texan diner – Ferrante writes in an autobiographical mode. That is fuel for the truthers, a sort of literary ankle-flashing. But it is also good cover for another motive: a very contemporary form of envy of another’s autonomous space and their creativity, a rage that while they give us their work, they will not also give us their person.” On a new collection of Elena Ferrante’s letters, interviews and short pieces.
The Library of America celebrates the publication of Sherwood Anderson: Collected Stories by posting audio recordings of nine famous writers reading ten of Anderson’s famous works. Hop on over to hear readings by Charles Baxter, Siri Hustvedt, Ben Marcus, Rick Moody, and Patricia Hempl.
V.S. Naipaul (seemingly a professional misogynist at times) rankled many by suggesting there are no women writers that can equal him and calling Jane Austen “sentimental.” Now the Guardian offers up a quiz that challenges readers to identify the gender of an author simply by reading a passage of his or her writing.
“Even with such apparently juicy material, blithe self-exposure quickly grows dull. Their mutual trust comfortably established, Marsha, Emily, and Vincent unleash endless confession, allowing one another to stand in for the analysts they aren’t seeing over the summer. Nobody has to coax anything out of anyone.” On the age of social media and the novel Talk by Linda Rosenkrantz.