Recommended reading: “I am seventeen years old, and getting drunk is still a novelty. It has only recently occurred to me that my mother won’t think to check my breath if I’m coming straight home from work.” An amazing reminisce of summer employment from The Rumpus. Pair with: The New Yorker on why summer makes us lazy, and an ice-cold beer.
“Writing on a computer can be terribly distracting, so sometimes I like to use a pencil and paper to jot down ideas. I always end up drawing a cartoon duck. Inevitably, the duck is holding a notepad, and I can read the ideas that he wrote down.” At Clickhole, six writers explain how they overcome writer’s block.
“It’s likely Lucia would have felt more comfortable watching a bull be gored in a Mexico City arena or huddling among winos on a corner in Oakland than she ever felt at her first place on posh Mapleton Hill.” Elizabeth Geoghegan for The Paris Review on Lucia Berlin, whose A Manual For Cleaning Women is out now.
You could spend a long car ride thinking about about all of the books that are currently outselling Rand Paul’s newest, Our Presidents & Their Prayers: Proclamations of Faith by America’s Leaders. According to data obtained from Nielsen BookScan, Paul’s book has sold less than 500 copies in two weeks. For reference, the end of Michelle Bachmann’s ill-fated 2012 presidential campaign was foreshadowed by her book, Core of Conviction, selling just a few thousand copies in the same time that it has taken Paul’s to sell hundreds.
On June 7th Canteen is hosting a battle in NYC's KGB Bar. The event is called Outwrite and will pit Matthew Aaron Goodman, author of Hold Love Strong, against twelve two unknown volunteers in a flash writing competition. Alexander Chee will be reading from his new novel while the contestants prepare their weapons. This would make a great #LitBeat, and if you're interested in covering this, get in touch with me here.
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.